Modernista 沙發以其雄心勃勃的嘗試將代表 Nipa Doshi 和 Jonathan Levien 作品的具象成分與矩形幾何形狀的線性合理性相結合。 靠墊失去了剛度,座椅變得更深更受歡迎,線條變得柔和。 沙發,通過這種變化,成為了一個空間,在那裡對時間流逝進行了相反的解釋:生產性和分離性,社會性和個人性,臨時性和連續性。
The Modernista sofa distinguishes itself with its ambitious attempt to integrate the figurative component, representative of Nipa Doshi and Jonathan Levien’s work, to the linear rationality of the rectangle geometric shape. The cushions lose stiffness, the seating becomes deeper and welcoming, the lines softened. The sofa, through this change, becomes a space where opposite interpretations of time transit: productive and disconnected, social and personal, temporary and continuous.
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